Thursday, April 30, 2009

Essay #4 Due Today! Have a great summer!


Thank you for a fabulous semester of great writing. Each one of you have significantly improved. I look forward to reading your final essays.
Here are a few reminders:
  1. Your final copy of Essay #4 is due in a folder is due no later than 5 PM;
  2. Include in your folder a copy of the scholarly article you used in your paper--with passages paraphrased or quoted highlighted;
  3. Don't forget to also turn in a copy of your Poetry Essay #2 to show your progress in out-of-class writing.
  4. You may also include significant drafting work and a copy of your in-class Hamlet Essay #3, but these are not required elements. Only include them if you feel they show your significant progress.
DO NOT FORGET TO SUBMIT YOUR PAPER TO TURNITIN.COM

Have a great summer and keep reading and writing!

Thursday, April 23, 2009

Essay Organization: How to Put It Together



For this final essay you will be using quotations from the work of literature you are analyzing and the scholarly article that is connected with your topic. You are like a lawyer arguing an interpretation about a character's motivations or an author's theme, and your scholar is your "expert witness"; the scholar can either support or refute your case.

Essay Structure

This is a FIVE-part outline.
Each section may be longer than one paragraph. The analysis, for example, will be at least four paragraphs.

The Essay Suggested Outline:
I. Introduction
A. Teaser

B. Thesis

C. Title of work
(Remember titles of novels, plays, and films are in italics or underlined. Short stories and poems are in quotation marks.
)
D. Author's first and last name


II. Introduce Literary Work (Summary)

III. Critical Article (Summary)
A. Title of Article (in quotation marks)
B. Scholar first and last name
C. Article's main idea
D. At least one direct quotation
(Remember to paraphrase/summarize means to completely re-word. If you use ANY of the author's phrasing, it must be in quotation marks and cited; otherwise, it's plagiarism)

IV. Analysis Section

A. Repeat/focus thesis

B. Analysis
(a chapter in a novel/scene in a play or film or the entire poem/short story
)
C. One direct quotation from the literary work per paragraph for support

D. A minimum of one direct quotation from the scholarly article.
(Show how an idea or ideas from the scholar are relevant to your analysis)


V. Conclusion

A. Refined Thesis

B. A closing idea
(E.g. Has the author had some impact on our culture; have films been made based on her work; is there a larger idea in her work that's relevant to society? Think about linking back to your teaser.)

Remember:
  1. Follow MLA format and citation rules;
  2. Some of the parts in the outline you can move into a different order and/or combine;
3. And we will meet in the computer lab for the rest of term, including the last day of class.

Research-based Analysis Essay #4 Is due no later than 4/30 5PM to turnitin.com and my office

Thursday, April 16, 2009

Essay #4 Assignment Re-post & Reminders


The Assignment (Essay #4)

Essay: An Analysis of one work of literature (poem, short story, passage/chapter in novel, scene in film or play)

Source: One scholarly article found in in the Galileo database: Literature, Language, and Literary Criticism (NO BOOKREVIEWS. Use ONLY scholarly ARTICLES).

Length: 1,000-1,500 words

Format: Typed, 12-point Times New Roman font following MLA guideline
Due: April 30, @ class time

Requirements:

  • Must quote directly from selected literary work,
  • Must quote directly from scholarly source,
  • Must turn in final hard copy April 30,
  • Must turn in the full text of your scholarly article with the passages you used--highlighted,Submit exact version of final essay to turnitin.com by the deadline.

Note: I will not grade essays not submitted to turnitin.com

(Please review plagiarism on syllabus and in the MGC Student Handbook found @ this link OR off the MGC homepage-->Current studetns--->Handbooks/MGC) on pp. 26-28 under Academic Dishonesty.) Plagiarism will result in failure in the class, no matter your class average or reason. Don't do it!

We will review essay structure ideas in the lab & blog.

About the Assignment

This final essay is not a research paper.

Whew!

Simply put, you are writing an analysis of a short story, poem, novel, play or film. This is what you have been doing all semester. Teh biggest difference will be that you are adding one scholar's ideas into your essay.

That means you will have included in your essay--

1. Your ideas,
2. The text you'll be quoting and citing,
3. AND one scholar's ideas that you'll also be quoting and citing.

You do not, however, need multiple sources, only one scholarly article that supports your thesis OR has an idea that you want to challenge with your analysis.

Therefore, you need to select an article that is somehow relevant, and that may take time. You only need one article, but it has to be a good one! that will take time. If you haven't started--you have no time to lose! Go to Galileo (click this link!).

Remember you are searching in Literature, Language, and Literary Criticism section and not in the general Galileo search. This will limit your search to relevant data basis for your article. Start now! Do not wait until Tuesday's class (4/21).

If you cannot access Galileo off campus, use the password: underline

Once you find your article: save/print the reference and save/print the full article! (You will need to turn a highlighted copy in with your final draft, so get your article now!)

Due dates & deadlines:

You'll notice on the syllabus (see the right-hand side of blog) that for the remaining part of the semester we'll be in the computer lab working. You will be working at your pace with me providing a support role for you writing your final paper. You must, however, turn in your essay on April 30 to me and post it to turnitin.com

Here are some reminders--

  • See me about approval of the work you will be analyzing;
  • By Tuesday (4/21) at the latest you should know what work you'll be analyzing;
  • By Thursday (4/23) at the latest you should have a topic idea/plan based on research;
  • April 30--Research Essay #4 due!

Here is a re-post of Frequently Asked Student Questions

Q: Research-based Analysis?! What is that? (Essay #4)
A: You will first select a poem, short story, scene from a play, or a chapter from a novel as the focus of an analysis of your selected work. You will be adding to your essay the opinions of one to two literary scholars.You will create a thesis and develop your thesis using your ideas, support from the literary work (quotations and direct references), and ideas from the critics.

Q: How many sources do I need?
A: One to two approved Galileo sources. NOTE: These sources should be from literary data basis and not general search! (e.g. the MLA--Modern Language Association database).
Q: Do I have to use Galileo sources?
A. Yes.
Q. What if I can't find an article that says what I want it to say?
A. You do not need to use an article that necessarily agrees with your thesis. You can disagree with a critic's interpretation as long as you provide support from the work and your own logic.
Q. What if I can't find any article about my particular poem/story/play/novel!?

A. You do not even need to find an article that is on your selected poem/short story/ play/novel. You can take a critic's article analyzing another work by your author and apply it to your selected work. Often writers have similar themes that run through several works or maybe your selected work is a departure from other works.
For example: Stephen King has written many books that deal with writers as main characters and their struggle to write. Among these are The Shining, Misery, The Dark Half, and Bag of Bones, to name a few.But maybe you want to write on Lisey's Story, a newer novel and can't find an article about that novel, but you do find an article discussing earlier novels, say The Shining and The Dark Half and King's writer characters in these novels. You could still use that article for your analysis by taking that critic's ideas and applying them to your analysis of this later novel and see what themes continue and/or have changed.


Monday, March 23, 2009

Resources for Reading and Writing about Hamlet


Readers' Note: please move your cursor over identified links (light blue/gray text) for additional information abut a film, resource, or literary term.

Film Adaptations

Hamlet, Prince of Denmark is the first of the great tragedies written by William Shakespeare. Since plays are meant to be seen as well as read, I encourage you to watch a version of the play. There have been many versions on the stage and screen, and many are available at video rental or retail stores, or can be rented through Netflix.

Contemporary film adaptations include the films listed below. Each title brings you to a link on The Internet Movie Database where you can view cast list, facts about the production, and pictures.

Hamlet (1991, starring Mel Gibson)

Hamlet (1996, starring and directed by Kenneth Branagh)

Hamlet (2000, starring Ethan Hawke)

Many key scenes from different film versions can also be found on YouTube.com . Check them out!

Reading Tips and Other Resources

Besides viewing a film version of the play and/or scenes to help your comprehension, be sure to use other available resources. As you complete your reading for each class period, be sure to review the questions for each act found at the end of the play in your textbook. The questions can be helpful in testing what you understood and upcoming events and ideas in the in the play.

Also you may find a study guide helpful, either to read before and/or after you have done your reading from the play. Study guides, of course do not replace actually reading the play and coming to class for the discussion; however, they can help you look for important ideas and events without getting lost, and they also provide reading comprehension questions.

Shakespeare writes in English, but the language can sometimes be difficult. He uses iambic pentameter (poetic form) for his noble characters' dialogue, and he uses Elizabethan English for all his characters. Reading and, yes, re-reading, especially after reviewing a summary can help you get the hang of the language.

The footnotes help, but they can be distracting if you look up every word or phrase footnoted. You may want to save studying the footnotes after you have read once. Occasionally, however, it is necessary to check the footnote for a word's meaning.

Check out this Hamlet study guide. Remember this does not replace reading the play!

You may also want to check out the web site for The Globe Theater where many of Shakespeare's plays were and still are performed.

Class Themes in Hamlet

Remember to review the following ideas and questions that lead to a variety of themes (and possible writing topics) from the play:
  • The "war-like" state of Denmark, how is it influencing events and provide some characters opportunities? What does it represent about the characters?
  • How is corruption in Elsinore/Denmark/The World represented--(images, similes, and metaphors of a garden "gone to seed" or things rotting and incest references)?
  • Royal Succession--How would a British audience living under a monarchy view the fact that Claudius and not Hamlet is King? How might the idea of "divine right" being possibly interrupted show the kingdom out of order?
  • Claudius and Gertrude's marriage--why is it incest according to the Elizabethan understanding of marriage?
  • Theatrical language, masks, and hypocrisy, how do these fit symbols/metaphors/similes highlight Hamlet's struggle and the other characters' and their motivations?
  • What do we know about gender relations? How are our expectations about men and women played out in Hamlet?
  • The play Hamlet can be viewed as a forth-and-back power struggle between Hamlet and Claudius. How does each act show a shift in power?
  • How are Hamlet's ideas about his father influencing his perspective and actions?
  • What characters are foils for each other, particularly foils to Hamlet?
  • What kind of person is Hamlet? What motivates him? What does not motivate him?
  • How does each of Hamlet's soliloquies show his struggles, power, and ideas at certain points in the play?
  • Challenge your assumption that a character is a "good guy" or "bad guy." By examining the character closely and his/hers interactions at a given moment in the play with other characters, you may not change your initial opinion but seeing Hamlet as less-than heroic or Claudius as maybe not so bad given circumstances might lead you to a more thoughtful and complex analysis of a character or a particular scene in the play.

Critical Approaches or Perspectives from which you may read to
Hamlet

(Review class notes and Writing, Part 4.)
  • Historical
  • Sociological
  • Gender
  • Psychological
  • Reader-response
  • Formalist
  • Biographical
You can combine many of these perspectives (e.g. reader-response/psychological/gender). Most "close-readings" are a combination of formalism (how a piece is put together and your own experiences (reader-response). Your own gender and your understanding of others' gender and its impact on a character's place, actions, how she/he is perceived by others, a character's psychology, and your own understanding of human nature (psychology) inform your reading and writing about literature. Being aware of these perspectives can make you a more careful reader and can give focus to your writing about (interpretation of) characters' actions and events.

Do not use a critical approach that require research for essay # 3. You only need research for essay #4.

Final Reading and Writing Tips

By keeping a writing journal and annotating your textbook when you read and in class, you start working toward the composition of your in-class Essay #3 (See blog syllabus for class date). If you get great ideas from working with Hamlet, you could also expand them in a research-based analysis (Essay #4).

Welcome Back! New Deadlines Approach! Essays #3 & #4 Ahead!



Please review the syllabus for upcoming assignments. We have begun Hamlet, Prince of Denmark, so check out the reading schedule to the right for the day's reading.

While working on Hamlet in preparation for a short in-class essay (Essay #3), we will also begin your out-of-class research-based analysis (Essay #4).

Important dates:

April 2--Meet in Roberts Library for research workshop with Mr. Paul Robards or Ms. Judy Ellis, the MGC librarians

April 16--In-class Essay #3

April 21--Research Analysis Topics due!

April 30--Research Essay #4 due!

In order to prepare for our April 2 library visit, you may want to start thinking about selecting a literary work for your final essay. You may select a new work or you may revise an earlier essay. (See below.)

Frequently Asked Student Questions


Research-based Analysis?! What is that? (Essay #4)


You will first select a poem, short story, scene from a play, or a chapter from a novel as the focus of an analysis of your selected work. You will be adding to your essay the opinions of one to two literary scholars.

You will create a thesis and develop your thesis using your ideas, support from the literary work (quotations and direct references), and ideas from the critics.

How many sources do I need?
One to two approved Galileo sources.

Do I have to use Galileo sources?
Yes.


What if I can't find an article that says what I want it to say?
You do not need to use an article that necessarily agrees with your thesis. You can disagree with a critic's interpretation as long as you provide support from the work and your own logic.

What if I can't find any article about my particular poem/story/play/novel!?
You do not even need to find an article that is on your selected poem/short story/ play/novel. You can take a critic's article analyzing another work by your author and apply it to your selected work. Often writers have similar themes that run through several works or maybe your selected work is a departure from other works.

For example, Stephen King has written many books that deal with writers as main characters and their struggle to write. Among these are The Shining, Misery, The Dark Half, and Bag of Bones, to name a few.

But maybe you want to write on Lisey's Story, a newer novel and can't find an article about that novel, but you do find an article discussing earlier novels, say The Shining and The Dark Half and King's writer characters in these novels. You could still use that article for your analysis by taking that critic's ideas and applying them to your analysis of this later novel and see what themes continue and/or have changed.

Start thinking now as we work on Hamlet and prepare for essay #3! Please see me about any ideas or questions you have!

Monday, March 9, 2009

Poetry Essay Deadline Reminders!

Remember we are meeting in the computer lab tomorrow (March 10).


Essay #2 is due no later than March 10 @ 5:00 PM at my office.


Be sure to turn in your essay in a pocket folder with the final draft in the left pocket, stapled, and your draft work (see assignment sheet) in the right pocket.


Do not forget to post your final essay also to turnitin.com!




I had a student email me a great question:

"I was wondering how I would go about starting my essay after I have done
seven devices of poetry and stanza by stanza analysis?"

I'd like to share my answer with the class:

Writing an Introduction

Step One:
Once you have written on six of the seven areas of a poem, through that process you discover the 7th area--the theme of the poem--and that can become the essay thesis.

You then write your introduction with a general opening to get the reader's attention and focus on the general theme, leading to the thesis.

Step Two:
You then organize the body of your essay, focusing on the ideas that advance your thesis.

Wednesday, March 4, 2009

ENGL 1102 Poetry Analysis (ESSAY #2)

Assignment: You will be writing an essay that demonstrates a “close reading” of one of the poems in Native Guard. You should follow a multi-step process of reading, drafting, and writing.

This assignment asks that you compose the parts of your essay separately and then piece them together in order. For many of you this may be non-intuitive; a writer starts at the beginning, right?

The out-of-class essay writing process, however, is not linear and is not done in one step. In order to discover what you need to write about, you must read the poem closely, examining each part. The below writing process will guide you through the writing process leading you through a "close reading" of a poem and a more in-depth and refined final essay.

Step One: Select poem and read it aloud.

Step Two: Read the poem a second time, annotate, and make notes on The 7 & Areas of Poetry

· Make margin notes (annotations) next to the poem on this page.

· Answer on your own paper the below questions. Include specific lines & or phrases from the poem.

Questions for the 7 & Areas of Poetry

1. What does the title tell you?

2. Who is the speaker? (Identify personality, age, background, change in the poem)

3. What is the setting of the poem?

4. What is the situation of the poem?

5. Identify the audience (What type of reader?) and other characters in the poem;

6. What are unusual words in meaning, use, repetition? Poetic devices? Symbols?

7. What is the theme of the poem? (What about x?)

Step Three: Write a draft of the body of your essay following the structure of the poem (stanza-by-stanza or grouping stanzas together in the case of very short stanzas or long poems.)

Step Four: Write your conclusion, focusing on the theme.

Step Five: Create your introduction based on the information and focus/theme of the poem.

· Be sure to include a “hook” to open your essay—a quotation or related incident from your life or what you observe in the world;

· Include your working thesis.

Step Six:

· Put essay parts (intro, body, conclusion) together in order;

· Revise/refine your thesis;

· Proofread & revise essay (Eliminate repetition; Take out points that do not advance your thesis; take out repetitive phrases, combine sentences; Revise for style.

Guidelines & Reminders:

Format & citation rules: MLA (See rules for quoting & citing poetry in Writing, Part 4 & handbook)

Length: 500 words minimum (“C” length) to 1,000

Include all steps with your final draft in your folder.

Submit final copy to turnitin.com & a hard copy in folder.

Due: March 10 by 5:00 PM @ my office.